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THE BOOK OF JACK LONDON

YACHT "ROAMER"

VOLUME II – CHAPTER XXXIII

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The End of 1910

AT last, at last, Jack's search for a suitable inland yacht ended in mid-October, when a friend discovered for sale the thirty-foot yawl, Roamer, once the fast sloop Iris. A personal try-out convinced us of her eminent qualifications, despite her ripe years which were rumored to be at least forty. We schemed a better galley for'ard, installed a little coal-stove for winter warmth and cooking, and had the hull and rigging overhauled.

For it was meant that I, from my salt heredity, and practice both before and after marriage, should be Jack's true shipmate. None so keenly as I, perhaps, can appreciate his own words, written on board the Roamer in Sonoma Creek, the next spring:

"Once a sailor, always a sailor. The savour of the salt never stales. The sailor never grows so old that he does not care to go back for one more wrestling bout with wind and wave. I live beyond sight of the sea. Yet I can stay away from it only so long. After several months have passed, I begin to grow restless. I find myself day-dreaming over incidents of the last cruise, or wondering if the striped bass are running on Wingo Slough, or eagerly reading the newspapers for reports of the first northern flight of ducks. And then, suddenly, there is a hurried packing of suitcases and overhauling of gear, and we are off for Vallejo where the little Roamer lies, waiting, always waiting, for the skiff to come alongside, for the lighting of the fire in the galley-stove, for the pulling off of gaskets, the swinging up of the mainsail, and the rat-tat-tat of the reef-points, for the heaving short and the break-

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ing out, and for the twirling of the wheel as she fills away and heads up Bay or down."

With Nakata and the cook, Yamamoto (an intellectual socialist later abstracted back to his native islands by the long arm of the Mikado), we set sail on October 17, from Oakland, across the Bay of San Francisco, "than which," to quote my captain, "no lustier, tougher sheet of water can be found for small boat sailing," for an up-river cruise.

Two days earlier I had found upon my desk a fresh, skyblue volume entitled "Burning Daylight," into which. Jack had woven so much of our daily blessedness. This is the inscription:

"A sweet land, Mate Woman, an almighty sweet land you and I have chosen—our Valley of the Moon,
"Your Own Man,
"Jack London."

My old, old dream come true—to see with Jack this stage of his youthful performances! He looked much like his piratical early self, I fancy, in blue dungaree and the time-honored "tam" pulled down, with a handful of curls, over his sailor-blue eyes that roved incessantly for changes and found comparatively few. I had the privilege, at Vallejo near the yacht club, of seeing the meeting between Jack and an old crony or two—as Charley Le Grant, so often mentioned in "Tales of the Fish Patrol"; and another time, threading Sonoma Creek's delta of sloughs to the tuneful sound of blackbirds' throats, into our own valley within eye-reach of our own mountain fastnesses, to Jack's unbounded delight we came upon a venerable, rickety little French Frank of Idler memory, keeper of a duck-hunting club shack. Debonair and gallant Frank still was, though all his jealous fires and furies had long since been drawn. And ludicrously tactful was he, before "Jack's lady," in references to the wild '90s he and the lady's husband had shared

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in common. Having convinced him I was no ogress his tongue loosened in spicy reminiscence, abetted by a bottle of red wine.

What a blissful passage it was, this first Roamer voyage, only to be surpassed by the second and the third, and so on. "Snarking once more," Jack named it; honeymooning upon the face of the winding waters; fanning into Benicia to the sunset melody of birds in the rushes; running across that "large, draughty, variegated piece of water," Suisun Bay, where the great scows we had both learned to respect came charging down, grain-laden; picking our way in the "Middle Ground" channels, and gliding close-hauled into Black Diamond "in the fires of sunset, where the Sacramento and the San Joaquin tumble their muddy floods together"—to port the hazy, Aztec unreality of the tawny-rose Montezuma Hills palpitating in the westering sunlight; to starboard the low brown banks with green upstanding fringes of rustling tules; all about red-sailed fishing boats homing for the night; and old Black Diamond's lazy water-front and lazier streets sloping upward toward the Contra Costa Hills; and, in the morning, Diablo crumpled against an azure dome.

Once, off a tree-plumed island in the pictureful delta, a gay "red-light" barge, with its painted ladies, anchored within hailing distance of the Roamer. " I'll take you aboard to-morrow evening early, if you'd like," Jack volunteered; and I was glad enough for a new experience with him. But the next day he was invited by the principal, Professor Vickers, to speak to the school children of the town across river, which he consented to do, in a brief talk on "The Call of the Wild"; and when we were once more aboard, he said soberly:

"I guess we won't go adventuring next-door to-night, Mate—it might offend the good people ashore if they found it out. They wouldn't understand how you and I go about together. Also, there might possibly be folks on the barge

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whom you've seen about and who wouldn't want you to see them there. So we'll just give it up and wait for a better chance.

I think it was about this time Jack illustrated his belief in the innate goodness of even very low unfortunates, by telling me how, when he was a mere stripling, his pockets had been rifled by one of the women companions of his associates up-river. "But do you know—she only took exactly half of what I had," he said. "I never forgot that. It was bad, of course, but it was only half-bad at worst, and showed she had some heart of softness left in her toward a mere boy like me."

It was while we lay off the town of Antioch, in this region, that Jack recounted to me the laughable story of how he and his mates netted a score of illicit fishermen; but that is for all to read—"Charley's Coup," in "The Fish Patrol" group.

Together we came to know the rivers and serpentine sloughs, with their foreign inhabitants, as Jack had known them aforetime; only, now, the dwellers upon and behind the willowed dykes had become increasingly foreign. This gave rise to many "human drift" speculations upon my skipper's part, later used in "The Valley of the Moon." I am reminded in passing, the young hero and his comrade wife run across a pseudo Roamer and its master and mate.

Among other features new to Jack, was the growth of the Japanese-Chinese village of Walnut Grove. Here we poked about among tortuous roofed streets lined with gambling dens, stores, geisha houses and tea-shops, entertained in these latter by the pretty toy-like women, with saki, and raw bonita soaked in soyu sauce, to the debatable harmony of samisens.

Jack, snugly at anchor, his work punctually disposed of, read intensively upon agriculture, devoured a plunder of countless old books he had been collecting upon western

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Plains migration, and laid deep and deeper foundation for Ranch development and stock-raising. "I devoted two solid years," he has written, "to the study of the migrations toward the West of America, being moved to it perhaps by the fact that my people came from the Middle West."

Everywhere he used his eyes, bent upon seeing what the other fellow was doing in the vast fields of California, making me the willing repository of his plans as he worked them out. Often, while I shopped or walked or rowed in the skiff for exercise, he drifted about the towns, meeting men, going to their farms, inspecting cattle and horses. He bought a draft-mare, June, a striking creature, black and proud, who came to live on the Ranch and become the mother of several colts.

Jack was living so fully—a life balanced with essential interests and endeavor and simplest of amusements. The test, I am sure, he undertook deliberately. To him relaxation consisted not in cessation but in change of thought and occupation. The vessel all in order, laid against a river-bank for the night, he would sit, placidly smoking in the blue dungarees and old tam, humped comfortably on deck, his soft-shod feet hanging over the rail, line overboard for cat-fish or black bass. Meanwhile he would argue for long with Nakata or the cook, in all the ardent simplicity of a sailor in the fo'c's'le, some trifling point—say relative sizes of fish each had hooked the day before; or there would be a jokingly heated disagreement as to the payment of a penny wager a week old; or the three, stopping to catch laughing breath, feverishly laid new bets against the evening's basket. Jack was always ready to chuckle over it all, should I remind him of his reversion to fo'c's'le methods.

To a Sacramento reporter at this time, Jack said: "I am a Westerner, despite my English name. I realise that much of California's romance is passing away, and I intend to see

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to it that I, at least, shall preserve as much of that romance as is possible for me. I am making of 'The Valley of the Moon' a purely Californian novel it starts with Oakland and ends in Sonoma."

He was an unfailing wonder to me, my Jack London—my mentor—his continuous cerebration to every impact, mental, physical, awake, and asleep; always young, always old, always wise, with "a bigness of heart that kept conscience with itself"; efficient dreamer, harnessed to his work for the sake of Heart's Desire, which included the discharge of so many responsibilities—penalties of patriarchy. How vivid he rises, standing on his handsome legs at the wheel, those robust, muscle-rounded shoulders leaning back upon a howling norther before which we fled, tense, caution on hair-trigger, uncapturable thoughts behind his deep, wide eyes, lips parted, and that great chest expanding to breeze and effort. One man has written me: "I remember Jack London above all by his beautiful chest. It was the most beautiful thing I have ever seen."

December saw us home at Wake Robin, trying to come abreast with work that had piled up during the cruise. "Poor little woman! She has to pay for her fun!" Jack turned from his desk to where I was filing letters and notes. "But it's worth it!" Again, suddenly wheeling around, "How good it is to have a satisfying love. Mate, I love you more than I ever did in my first days of madness. It's different but I love you more." And he had a way of blowing involuntary kisses in the air when I spoke to him. How good it all was! I am reminded of Browning's:

"There's your smile!
Your hand's touch! and the long day that brings
Half-uttered nothings of delight."

While we spent hours poring over the Wolf House drawings, twenty men were setting out twenty thousand addi-

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tional eucalyptus. And Jack's funds, despite our boundless plans, were sinking low.

"Well, I've got five hundred dollars in bank, and an eight-hundred-dollar life-insurance premium due," he announced. "Doesn't balance up very well, does it? But never fear—'Smoke Bellew' will pull us even with the bills. Guess we'll accept that invitation from Felix Peano to move into his Los Angeles house for a month. It'll be a nice winter change, and I can forget my creditors easier at a distance, while I'm slaving to pay them!"

He always referred to "Smoke Bellew" as "hack-work," strictly excluding the last story, "Love of Woman," which he strove to make one of his best. The "hack" turned out to be a great favorite with the male readers of his average public. It would seem that Jack London's work, third-best, or worse, could never be bad. Light it might sometimes be, comparatively unimportant; but it was impossible—reservoir of learning, and imagination, and emotion that he was—that he should ever turn out trash.

The Cosmopolitan later asked for a continuation of "Smoke Bellew," and the while Jack considered its popularity in light of means to keep up the enormous expense of house-building, I suggested sailing Smoke and Shorty into the South Seas for a series of adventurings, for he had been longing again to dip his pen into tropic colors. This he considered; but all at once he threw up the whole thing:

"I'm tired writing pot-boilers! I won't do another one unless I have to!" And in March, the twelve off his hands, he went at the David Grief series, these romances, cracker jacks," Jack referred to them, being issued as "A Son of the Sun."

So January, 1911, was spent in the Westlake District of Los Angeles, while "Smoke Bellew" went forward, and chance visitors were regaled with readings from the manuscript. We took along our two Japanese, and had my

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Aunt, now Mrs. Edward B. Payne, and her husband, as house-guests. It was a very jolly arrangement—we, accepting our sculptor-friend's roomy house, he, our hospitality of table and service. Jack's thirty-fifth birthday was celebrated in this pleasant cottage. Besides entertaining, our amusements numbered much attendance at the theaters, swimming in the city's salt tanks, a captive balloon ascension, canoeing on Westlake hard by, feeding the swans and reading aloud, and a run to Santa Catalina Island. On this last excursion Jack said my Aunt and her husband must go with us she having visited the big island with my own mother long before I was born.

One of my commissions while south was to look up a suitable four-in-hand of light horses for a summer trip to northern California and Oregon. I succeeded in obtaining a trio, more or less ill-assorted, which was shipped home. Upon our own return, Jack had up from Glen Ellen his old friend "Bill" Ping—mentioned in more than one of his—books to consult about reinforcing the Winship two-seated "cut-under," for the heavy going, and the proper harness. Mr. Ping, one of the splendid passing type of old-time stage-drivers, who in his day had tooled his six on the Overland Trail, was sent to San Francisco to order harness; also a whip with an eleven-foot lash which Jack, after a surprisingly short trial, learned to crack with a brave report, but seldom used.

Mr. Ping being busy with his own affairs, another stage driver, of a younger generation, was hired to put the team in shape and instruct us in the gentle art of guiding its four mouths and sixteen wayward feet. Jack, as always, mastered the thing perfectly, knowing, move by move, precisely how he did it; while I, to his laughing, almost mocking admiration, "got the hang of it" by way of emulation and my "horse instinct," doing it well one day and not so well the next.

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The Lily Maid was one of our guests in March, and Jack never appeared to better advantage than in his kindness to her, still pleasuring in her mantle of yellow English hair. For her health was but poorly, and when she could not come to table, with Jack's own hands Nakata's nicely appointed trays were carried to one of the little woodsy guest-cabins we had built.

We had formulated a printed slip that frequently went into Jack's correspondence along with socialist and agricultural folders, reading as follows:

"We live in a beautiful part of the country, about two hours from San Francisco by two routes, the Southern Pacific and the Northwestern Pacific.

"Both trains (or boats connecting with trains) leave San Francisco about 8 a. m.

"The p. m. Southern Pacific train (boat) leaves San Francisco about 4 o'clock.

"The p. m. Southern Pacific train can be connected with at 16th Street Station, Oakland, also.

"If you come in the afternoon, it is more convenient for us if you take the Southern Pacific route, as it arrives here in time for our supper. We usually ask our guests to dine on the boat, if they come by the Northwestern Pacific.

"Write (or telephone) in advance of your coming, because we are frequently away from home. Also, if we are at home, word from you will make it so we can have a rig at the station to meet you.

"Be sure to state by what route, and by what train, you will arrive.

"Our life here is something as follows:

"We rise early, and work in the forenoon. Therefore, we do not see our guests until afternoons and evenings. You may breakfast from 7 till 9, and then we all get together for dinner at 12:30. You will find this a good place to work, if you have work to do. Or if you prefer to play, there are horses, saddles, and rigs. In the summer we have a swimming pool.

"We have not yet built a house of our own, and are living in

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a small house adoining our ranch. So our friends are put up in little cabins near by, to sleep."

I have come across a verse by Foss, which so expresses Jack's deep heart of hospitality that I steal space to quote:

"Let me live in a house by the side of the road,
Where the race of men goes by——
The men who are good and the men who are bad,
As good and as bad as I. I would not sit in the scorner's seat,
Or hurl the cynic's ban——
Let me live in a house by the side of the road
And be a friend to man."

He was always buying blankets; never so happy as when all the beds were full. His heart was soft, and all were treated alike—friend, stranger, of whatsoever estate. I remember the pleased look that crossed his face when I related how, while I was buying a riding suit in a San Francisco shop, the fitter said to me:

"Mrs. Jack London?—Oh, I heard something so lovely about your place—that no one, even when you people are not home, is ever allowed to go away without being entertained!"

It was in October Jack placed in my hands the story of his wayward flight across the continent, "The Road." The inscription is one of his most generous:

"Dearest My Woman:—

"Whose efficient hands I love—the hands that have worked for me long hours and many, swiftly and deftly, and beautifully in the making of music, the hands that have steered the Snark through wild passages and rough seas, that do not tremble on a trigger, that are sure and strong on the reins of a Thoroughbred or of an untamed Marquesan stallion; the hands that are sweet with love as they pass through my hair, firm with comradeship as they grip mine, and that soothe as only they of all hands in the world can soothe.

"Your Man and Lover,"

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Of course many calls were made upon Jack's time and purse. And "purse" reminds me that he never carried other than the slender chamois gold-dust sack that he had learned to use in the Klondike. He was obliged to work out circular letters to cover such exigencies as he was unable to comply with. Here is an example in a copy of a letter written to a young writer:

"In reply to yours of recent date undated and returning here with your Manuscript. First of all let me tell you that, as a psychologist and as one who has been through the mill, I enjoyed your story for its psychology and point of view. Honestly and frankly, I did not enjoy it for its literary charm or value. In the first place, it has little literary value and practically no literary charm. Merely because you have got something to say that may be of interest to others does not free you from making all due effort to express that something in the best possible medium and form. Medium and form you have utterly neglected.

"Anent the foregoing paragraph; what is to be expected of any lad of twenty, without practice, in knowledge of medium and form? Heavens on earth, boy, it would take you five years to serve your apprenticeship and become a skilled blacksmith. Will you dare to say that you have spent, not five years, but as much as five months of unimpeachable, unremitting toil in trying to learn the artisan's tools of a professional writer who can sell his stuff to the magazines and receive hard cash for same? Of course you cannot; you have not done it. And yet you should be able to reason on the face of it that the only explanation for the fact that successful writers receive such large fortunes is because very few who desire to write become successful writers. If it takes five years work to become a skilled blacksmith how many years of work intensified into nineteen hours a day, so that one year counts for five,—how many years of such work, studying medium and form, art and artisanship, do you think a man, with native talent and something to say, requires in order to reach a place in the world of letters where he receives a thousand dollars cash iron money per week?

"I think you get the drift of the point I am trying to make. If a fellow harnesses himself to a star of $1000 a week he has to

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work proportionately harder than if he harnesses himself to a little glowworm of $20 a week. The only reason there are more successful blacksmiths in the world than successful writers is that it is much easier, and requires far less hard work, to become a successful blacksmith than does it to become a successful writer.

"It cannot be possible that you, at twenty, should have done the work at writing that would merit you success in writing. You have not begun your apprenticeship yet. The proof of it is the fact that you dared to write this manuscript, 'A Journal of One Who is to Die.' Had you made any sort of study of what is published in the magazines you would have found that your short story was of the sort that never was published in the magazines. If you are going to write for success and money you must deliver to the market marketable goods. Your short story is not marketable goods, and had you taken half a dozen evenings off and gone into a free reading room and read all the stories published in the current magazines you would have learned in advance that your short story was not marketable goods.

"There's only one way to make a beginning, and that is to begin; and begin with hard work, patience, prepared for all the disappointments that were Martin Eden's before he succeeded—which were mine before I succeeded—because I merely appended to my fictional character, Martin Eden, my own experiences in the writing game.

"Jack London."

The next letter here appended, he used to send out before he came to decide to read every manuscript that came his way, and encourage the sending to him. He found that in refusing to avail of such opportunities, he was depriving himself of just so many chances to study the wayward seed of man:

"Every time a writer tells the truth about a manuscript (or book), to a friend-author, he loses that friend, or sees that friendship dim and fade away to a ghost of what it was formerly.

"Every time a writer tells the truth about a manuscript (or book), to a stranger-author, he makes an enemy.

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"If the writer loves his friend and fears to lose him, he lies to his friend.

"But what's the good of straining himself to lie to strangers?

"And, with like insistence, what s the good of making enemies anyway?

Furthermore, a known writer is overwhelmed by requests from strangers to read work and pass judgment upon it. This is properly the work of a literary bureau. A writer is not a literary bureau. If he is foolish enough to become a literary bureau, he will cease to be a writer. He won't have any time to write.

"Also, as a charitable literary bureau, he will receive no pay. Wherefore he will soon be bankrupt, and himself live upon the charity of his friends (if he has not already made them all enemies by telling them the truth), while he will behold his wife and children wend their melancholy way to the poorhouse.

"Sympathy for the struggling unknown is all very well. It is beautiful—but there are so many struggling unknowns, something like several millions of them. And sympathy can be worked too hard. Sympathy begins at home. The writer would far rather allow the multitudinous unknowns to remain unknown, than allow his near and dear ones to occupy pauper pallets and potter's fields.

"Sincerely yours,
"Jack London."

In extreme cases, I have known him to send out copies of Richard Le Gallienne's "Letter to an Unsuccessful Literary Man," a document that leaves little to be said.

Requests for money usually found his responsive. He used some discernment, however, declining to be " touched " too often by certain men who took him more freely for granted than he liked; with some others, he blithely kissed hand to his dollars when telling me of his gifts and "loans." And—

"Oh, well, Mate—money's only good for what it can buy. It buys me happiness to buy happiness for others. Don't hoard money. You can't take it with you when you go into the dark"—that was a concept he had inculcated for all time into the rapidly simplifying philosophy that had

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followed his "opening of the books." The disadvantageous, soul-belittling influence of poverty had been practically banished for the span of his existence on this competitive planet. I smile as I handle the cancelled checks of many dates, to hear that husky, half-apologetic: "They've all dreamed their dream. Who am I not to help, now that I can. And these have realized their dream only a little less, after all, than the rest of mankind.  . . . But it does give me joy," with a smile into my eyes, "when what my money does for others receives some little appreciation of the pleasure or comfort it buys!"

In mid-April the Roamer all "ship-shape and Bristol fashion" from Nakata's deft brown hands, sailed on a month's cruise, while Eliza superintended architect and house construction, and colts and calves increased, and orchard and house-vineyard took root in the gentle terraced amphitheater behind the rising red-stone pile that was to be our castle.

During this absence, Eliza saw her chance to buy, at a price her brother had been waiting for, a section of some twelve acres right in the heart of the big Kohler ranch already ours, on which stood the buildings large and small of the old Kohler and Frohling winery of other days, all in sad but picturesque disrepair from neglect topped with the Great Earthquake.

This out-door life was the best thing that could happen to Jack, who had been suffering from one severe cold after another, coupled with repeated sties on his eyelids, and much nerve-rack from his teeth—this last, of course, being nothing unusual. I marvel to think of his eternal patience with pain; probably he was never, for years at a time, free from pain or at least discomfort. And there was his ever present joy in my own good teeth—"Woman!" he would cry, "you don't know how lucky you are!"

Before launching out for the coast on our northern

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trek, Jack asked me, what I had been anticipating for some time:

"Do you think we could fix up that old cottage on the Kohler, to live in until the Wolf House is done?"

It was a six-room, one-story frame house once occupied by the heads of the winery, and now in a shocking state. Subsequent Italian lessees of the vineyard had made a veritable dump of it and its old garden of foreign trees and shrubbery. I was dubious enough to reply:

"Honestly, I don't think we can."

But my partner had, for once, evidently made up his mind before consulting me, and presently I entered into the spirit of making the place as attractive as possible. Besides, it was, at worst, a consummation of our mutual desire to live in the very center of the Ranch activities now afoot.

The cottage came to be our sleeping and working quarters, including two guest-rooms, while in one side of the enormous winery were built others; workmen's family quarters being created on the other, and a new roof shingled over all.

Quite a ceremonial it was with the Japanese, getting ready Jack's bedside table for the night. Sharp pencils there must be plenty, scratch pads, big and little; many packages of "Imperiales," and fine Korean brass ashtray; his ubiquitous little red-velvet pin-cushion with pins driven in to their heads; files of papers and magazines neatly arranged on a lower section of the table, according to dates, the latest on top; a dish of fruit, or, lacking fruit, of some favorite dried fish or other "dainty." And finally, there were no less than three bottles of liquid of one sort or another. For Jack always maintained that it was a mercy, with his almost uninterrupted smoking, the alcohol he consumed, and certain sedentary spells when he took little exercise, that he "breathed through the skin"—by which he meant free perspiring. Therefore, he drank

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almost excessive quantities of this and that favorite beverage—grapejuice, buttermilk, and endless draughts of water. These, according to the whim, in cool thermos bottles, stood in an inviting row on the bedside table, and were always empty in the morning.

Papers and magazines, ravished of whatever in the way of information he wished to file as notes, were flung upon the floor; letters, envelopes, all small matter that was finished with, he carefully crumpled lest Nakata or the house-boy should put them back where he would have to handle them again. Sometimes, dropping off to sleep, cigarette between his lips, he singed his curls, exploded a celluloid eyeshade, or burned small round holes in sheet or pillow. As for pillows, he liked them large, three of them, with a very small one for that left elbow which supported him so many, many hours.

This dwelling was the only one of his very own in which Jack London ever lived—and in which he continued to live until he died within its old book-lined walls. It was into this house we moved upon our return from the four-horse adventure, which began in early June and ended in early September, 1911.

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